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Dorchester Center, MA 02124
What is better lithograph or serigraph? If you want the art print to be as good as it can be, the serigraph is the better option. It simply looks better and more detailed compared to lithographs. Serigraphs may also be printed on to fabric which gives them a different dimension.
What’s worth more serigraph or lithograph? All things being equal, serigraphs are generally more expensive as they take much longer and are higher quality. But famous lithograph artists might be using the form to create works that end up being worth more than a typical serigraph, given the importance of the work and the artist’s influence.
Is a lithograph the same as a serigraph? To summarize, A lithograph is a print made with ink and oil. A serigraph is a print made with stencil, fabric, and ink.
Is it worth buying a lithograph? Lithographs are authorized copies of original works of art. In general, print runs of lithographs are kept low to preserve the value of each individual print. While a lithograph will rarely bring as much as the original artwork, they can be quite valuable even while being relatively more affordable.
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Most should retain their quality for about 30 years but after that like any printed item, it may start to yellow and fade.
The masterpiece and the serigraph that is produced from it both have an exclusive value. The value in incorporating a serigraph to your collection is on equal sides monetary and artistic. Serigraphs are not as expensive as the original works, thus eliminating some factors many collectors face when purchasing art.
Without a signature, a serigraph may as well be a poster. Limited edition sizes range from under 100 up to 1200, but on average, serigraphs are printed in runs of 100 to 125. Each individual print is numbered in the form of a fraction, such as “1/100,” meaning that the print is number 1 within an edition of 100.
Lithography is a printing process which creates a print known as a lithograph. Giclee prints (also called Iris) prints are created with an extremely accurate version of an inkjet printer, with the different inks mixing within the printer’s nozzle which moves cross the paper applying minute amounts of ink at a time.
In serigraphy, multiple colors are often involved, each color being applied separately to achieve a perfect image. The technical possibilities are almost limitless, as are the effects, which range from flat, simple colors to richly textured surfaces.
Lithograph vs Print
The difference between lithograph and print is that lithography is the original artwork of an artist, which is done by oil and water, whereas print is a duplicate copy of documents done by machines.
Most modern lithographs are signed and numbered to establish an edition. Very often the artist signs a number of these “reproductions” but they are not true original lithographs. Seaside Art Gallery has a number of wonderful original lithographs that have been created by some of the most noted artists in the world.
Contrary to what some might think, reproducing artwork will not decrease the value of an original. In fact, giclée prints can actually increase the value of an original. Also because of the high quality, these prints can often increase in value over time. This is of course dependent on the artist.
Offset lithograph prints will experience color fade over time, it is inevitable, and happens so slow it is not really noticeable until compared to a virgin original. Under the most ideal conditions, no direct sunlight and absence of florescent light, the fade-resistant inks have a life of 30 years.
A Serigraph is a rendition of an original artwork created by the silk-screen printing process. The creation of a serigraph is a very labour-intensive hands-on artistic procedure that requires many weeks to be completed. Before the printing process is started, the artist who created the original image is consulted.
A giclée print which is stored in normal conditions should last 100 years or more. Our prints are produced using the finest canvas and solvent and lightfast inks resisting fading and will be around for 100 years!
A print that the artist has individually enhanced by hand, adding detail and depth, and creating individual variation, making each print unique.
Sericel, or Serigraphic Cel, is a form of Animation Art. To produce these silkscreens, artists create a hand-inked, hand-painted color model of animated characters, which is then transferred to the acetate cel by a silkscreen printing process known a serigraphy.
The best way to tell if you have a giclée versus a painting is to run your hand along the surface. A giclée will have a completely uniform canvas texture to it. There won’t be any of the telltale swirls, skips, buildups or brushstrokes indicative of real paint.
An artist proof print has a connection to limited edition prints. It is commonly known as a copy of the photograph and is not a part of the numbered edition. These prints are used as a test print by the artist and kept for their personal collection.
H.C. (Hors Commerce) – French for “For Commercial Use”, these prints are sometimes unsigned by the artist and used to promote the edition and are supposedly not to be sold.
The first “proofs” were either pulled or printed, and the artist had the option to work out the color and quality issues as they came out of the process. The only real difference between the two is the restricted quantity of prints bearing the AP designation and not the quality of the print.
Which is more valuable Giclee or Lithograph? Giclee is considered more valuable due to the high-quality resolution inkjet printers used to make the art. They are more durable as compared to lithograph. Giclee can last for two centuries without any visible sign of fading.
The difference between a lithograph and a print is that a lithograph is a hand made original copy whereas a print is normally a reproduction that is made via various printing methods.
Typically, giclees are not textured unless they’re printed on textured paper or canvas. However, texture can be added to giclee prints by hand. This uncommon process is done by adding a clear gel on top of a print and using the same motion as the original brushstrokes.
A common way to tell if a print is a hand lithograph or an offset lithograph is to look at the print under magnification. Marks from a hand lithograph will show a random dot pattern created by the tooth of the surface drawn on. Inks may lay directly on top of others and it will have a very rich look.